The texture is very deep and it embosses the image into the paper as well as printing the inked image. I went through quite a bit of tarlatan (the cloth used to rub back the inked up plate) because the grit kept ripping it up, like rubbing cloth over sand paper. I also used an etching needle to score into the cardboard plate for the lose lines around the bird. I wasn't sure how this would work, but it seems to have worked as well as if it were dry point into copper. The edition is small, only 4 or 5. I'm hoping to have it in my upcoming exhibition at Bird's Gallery, Kew in September.


